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ix | |
| Preface |
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x | |
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Getting Started: The Precritical Response |
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1 | (14) |
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7 | (1) |
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8 | (1) |
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8 | (1) |
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9 | (1) |
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10 | (1) |
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11 | (2) |
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13 | (2) |
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First Things First: Textual Scholarship, Genres, and Source Study |
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15 | (36) |
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First, a Note on Traditional Approaches |
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15 | (2) |
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Three Foundational Questions |
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17 | (34) |
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Textual Scholarship: Do We Have an Accurate Version of What We Are Studying? |
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17 | (1) |
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17 | (3) |
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20 | (9) |
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Matters of Genre: What Are We Dealing With? |
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29 | (1) |
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29 | (4) |
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Genre Characteristics in Practice |
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33 | (13) |
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Source Study: Did Earlier Writings Help This Work Come into Being? |
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46 | (5) |
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Historical and Biographical Approaches |
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51 | (26) |
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51 | (3) |
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Historical and Biographical Approaches in Practice |
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54 | (23) |
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54 | (3) |
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57 | (4) |
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61 | (5) |
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66 | (3) |
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69 | (4) |
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73 | (4) |
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Moral and Philosophical Approaches |
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77 | (13) |
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77 | (2) |
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Moral and Philosophical Approaches in Practice |
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79 | (11) |
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79 | (1) |
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80 | (1) |
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81 | (1) |
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82 | (2) |
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84 | (3) |
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87 | (3) |
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90 | (62) |
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Reading a Poem: An Introduction to the Formalist Approach |
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90 | (3) |
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The Process of Formalist Analysis: Making the Close Reader |
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93 | (3) |
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A Brief History of Formalist Criticism |
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96 | (6) |
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The Course of a Half Century |
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96 | (1) |
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Backgrounds of Formalist Theory |
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97 | (3) |
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100 | (2) |
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Constants of the Formalist Approach: Some Key Concepts, Terms, and Devices |
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102 | (9) |
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102 | (3) |
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105 | (1) |
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106 | (1) |
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107 | (2) |
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109 | (1) |
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110 | (1) |
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The Formalist Approach in Practice |
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111 | (38) |
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Word, Image, and Theme: Space-Time Metaphors in ``To His Coy Mistress'' |
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111 | (5) |
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The Dark, the Light, and the Pink: Ambiguity as Form in ``Young Goodman Brown'' |
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116 | (2) |
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118 | (2) |
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120 | (1) |
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121 | (2) |
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Romance and Reality, Land and River: The Journey as Repetitive Form in Huckleberry Finn |
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123 | (6) |
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Dialectic as Form: The Trap Metaphor in Hamlet |
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129 | (1) |
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129 | (1) |
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130 | (2) |
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``Seeming'' and ``Being'' |
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132 | (4) |
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``Seeing'' and ``Knowing'' |
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136 | (1) |
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Irony and Narrative Voice: A Formalist Approach to ``Everyday Use'' |
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137 | (4) |
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Frankenstein: A Formalist Reading, with an Emphasis on Exponents |
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141 | (8) |
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Limitations of the Formalist Approach |
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149 | (3) |
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The Psychological Approach: Freud |
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152 | (30) |
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152 | (9) |
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Abuses and Misunderstandings of the Psychological Approach |
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153 | (1) |
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154 | (7) |
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The Psychological Approach in Practice |
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161 | (19) |
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Hamlet: The Oedipus Complex |
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161 | (3) |
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Rebellion Against the Father in Huckleberry Finn |
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164 | (4) |
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Prometheus Manque: The Monster Unbound |
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168 | (1) |
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``Young Goodman Brown'': Is Versus Superego |
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169 | (3) |
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Death Wish in Poe's Fiction |
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172 | (1) |
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Love and Death in Blake's ``Sick Rose'' |
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173 | (1) |
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Sexual Imagery in ``To His Coy Mistress'' |
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174 | (3) |
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Morality over the Pleasure Principle in ``Everyday Use'' |
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177 | (3) |
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Other Possibilities and Limitations of the Psychological Approach |
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180 | (2) |
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Mythological and Archetypal Approaches |
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182 | (40) |
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Definitions and Misconceptions |
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182 | (2) |
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Some Examples of Archetypes |
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184 | (7) |
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185 | (4) |
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Archetypal Motifs or Patterns |
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189 | (1) |
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190 | (1) |
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Myth Criticism in Practice |
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191 | (27) |
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Anthropology and Its Uses |
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192 | (3) |
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The Sacrificial Hero: Hamlet |
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195 | (4) |
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Archetypes of Time and Immortality: ``To His Coy Mistress'' |
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199 | (2) |
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Jungian Psychology and Its Archetypal Insights |
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201 | (3) |
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Some Special Archetypes: Shadow, Persona, and Anima |
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204 | (3) |
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``Young Goodman Brown'': A Failure of Individuation |
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207 | (1) |
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Creature or Creator: Who Is the Real Monster in Frankenstein? |
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208 | (2) |
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Syntheses of Jung and Anthropology |
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210 | (1) |
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Myth Criticism and the American Dream: Huckleberry Finn as the American Adam |
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211 | (5) |
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``Everyday Use'': The Great [Grand]Mother |
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216 | (2) |
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Limitations of Myth Criticism |
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218 | (4) |
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Feminisms and Gender Studies |
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222 | (53) |
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Feminisms and Feminist Literary Criticism: Definitions |
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222 | (2) |
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Woman: Created or Constructed? |
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224 | (12) |
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Feminism and Psychoanalysis |
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227 | (4) |
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231 | (3) |
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234 | (1) |
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234 | (2) |
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236 | (4) |
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240 | (28) |
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The Marble Vault: The Mistress in ``To His Coy Mistress'' |
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240 | (2) |
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Frailty, Thy Name Is Hamlet: Hamlet and Women |
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242 | (7) |
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``The Workshop of Filthy Creation'': Men and Women in Frankenstein |
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249 | (1) |
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Mary and Percy, Author and Editor |
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250 | (3) |
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Masculinity and Femininity in the Frankenstein Family |
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253 | (2) |
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``I Am Thy Creature . . .'' |
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255 | (2) |
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Men, Women, and the Loss of Faith in ``Young Goodman Brown'' |
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257 | (2) |
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Women and ``Sivilization'' in Huckleberry Finn |
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259 | (5) |
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``In Real Life'': Recovering the Feminine Past in ``Everyday Use'' |
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264 | (4) |
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The Future of Feminist Literary Studies and Gender Studies: Some Problems and Limitations |
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268 | (7) |
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275 | (75) |
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What Is (or Are) ``Cultural Studies''? |
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275 | (5) |
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Five Types of Cultural Studies |
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280 | (25) |
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British Cultural Materialism |
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280 | (2) |
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282 | (5) |
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American Multiculturalism |
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287 | (2) |
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289 | (3) |
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292 | (3) |
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American Indian Literatures |
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295 | (2) |
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297 | (3) |
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Postmodernism and Popular Culture |
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300 | (1) |
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300 | (2) |
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302 | (1) |
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303 | (2) |
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Cultural Studies in Practice |
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305 | (37) |
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Two Characters in Hamlet: Marginalization with a Vengeance |
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305 | (6) |
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``To His Coy Mistress'': Implied Culture Versus Historical Fact |
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311 | (3) |
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From Paradise Lost to Frank-N-Furter: The Creature Lives! |
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314 | (1) |
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314 | (3) |
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The Frankenpheme in Popular Culture: Fiction, Drama, Film, Television |
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317 | (8) |
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``The Lore of Fiends'': Hawthorne and His Market |
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325 | (5) |
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``Telling the Truth, Mainly'': Tricksterism in Huckleberry Finn |
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330 | (7) |
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Cultures in Conflict: A Story Looks at Cultural Change |
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337 | (5) |
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Limitations of Cultural Studies |
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342 | (8) |
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The Play of Meaning(s): Reader-Response Criticism, Dialogics, and Structuralism and Poststructuralism, Including Deconstruction |
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350 | (31) |
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Reader-Response Criticism |
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350 | (12) |
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362 | (6) |
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Structuralism and Postructuralism, Including Deconstruction |
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368 | (13) |
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Structuralism: Context and Definition |
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368 | (1) |
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369 | (1) |
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Russian Formalism: Extending Saussure |
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370 | (2) |
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Structuralism, Levi-Strauss, and Semiotics |
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372 | (1) |
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French Structuralism: Codes and Decoding |
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373 | (3) |
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British and American Interpreters |
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376 | (1) |
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Poststructuralism: Deconstruction |
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377 | (4) |
| Epilogue |
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381 | (4) |
| Appendix A ``To His Coy Mistress'' |
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385 | (2) |
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| Appendix B ``Young Goodman Brown'' |
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387 | (14) |
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| Appendix C ``Everyday Use: for your grandmama'' |
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401 | (10) |
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| Index |
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411 | |