The Longman Anthology of World Literature, Volume F The Twentieth Century
by Damrosch, David; Pike, David L.; Alliston, April; Brown, Marshall; Hafez, Sabry; Kadir, Djelal; Pollock, Sheldon; Robbins, Bruce; Shirane, Haruo; Tylus, Jane; Yu, PaulineEdition: 2nd
Format: Paperback
Pub. Date: 2008-07-02
Publisher(s): Pearson
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Summary
The Longman Anthology of World Literature, Volume Foffers a fresh presentation of the varieties of world literature from the 20th Century.The editors of the anthology have sought to find economical ways to place texts within their cultural contexts, and have selected and grouped our materials in ways intended to foster connections and conversations across the anthology, between eras as well as regions. The anthology includes epic, lyric poetry, drama, and prose narrative, with many works in their entirety. Classic major authors are presented together with more recently recovered voices as the editors seek to suggest something of the full literary dialogue of each region and period. Engaging introductions, scholarly annotations, regional maps, pronunciation guides, and illustrations provide a supportive editorial setting.For anyone interested in world literature.
Table of Contents
| The Twentieth Century | |
| Perspectives: The Art of the Manifesto | |
| Filippo Tommaso Marinetti (1876-1944) | |
| The Foundation and Manifesto of Futurism | |
| Tristan Tzara (1896-1963) | |
| Unpretentious Proclamation | |
| André Breton (1896-1966) | |
| The Surrealist Manifesto | |
| Mina Loy (1882-1966) | |
| Feminist Manifesto | |
| Yokomitsu Riichi (1898-1947) | |
| Sensation and New Sensation | |
| Oswald de Andrade (1890-1954) | |
| Cannibalist Manifesto | |
| André Breton (1896-1966) | |
| Leon Trotsky (1879-1940) | |
| Diego Rivera (1886-1957) | |
| Manifesto: Towards a Free Revolutionary Art | |
| Hu Shi (1891-1962) | |
| Some Modest Proposals for the Reform of Literature | |
| Crosscurrents | |
| Joseph Conrad (1857-1924) | |
| Preface to the Nigger of the Narcissus | |
| Heart of Darkness | |
| Resonances | |
| Joseph Conrad:fromCongo Diary | |
| Sir Henry Morton Stanley:from | |
| Address to the Manchester Chamber of Commerce | |
| PREMCHAND (1880-1936) | |
| My Big Brother | |
| LU XUN (1881-1936) | |
| Preface to A Call to Arms | |
| A Madman's Diary | |
| A Small Incident | |
| JAMES JOYCE (1882-1941) | |
| Dubliners | |
| Araby | |
| The Dead | |
| Virginia Woolf (1882-1941) | |
| Mrs | |
| The Lady in the Looking Glass: A Reflection from A Room of One's Own | |
| Akutagawa Ryunosuke (1892-1927) | |
| RashMmon | |
| In a Grove | |
| A Note Forwarded to a Certain Old Friend | |
| Perspectives: Modernist Memory | |
| T.S. Eliot (1888-1965) | |
| The Love Song of | |
| The Waste Land | |
| Constantine Cavafy (1863-1933) | |
| Days of 1908 | |
| Ithaka | |
| Claude McKay (1890-1948) | |
| The Tropics in New York | |
| Flame Heart | |
| Outcast | |
| Federico García Lorca (1898-1936) | |
| Unsleeping City | |
| Carlos Drummond de Andrade (1902-1987) | |
| In the Middle of the Road | |
| Emile Habiby (1922-1998) | |
| from The Secret Life of Saeed, the Ill-Fated Pessoptimist | |
| Octavio Paz (1914-1998) | |
| A Wind Called Bob Rauschenberg | |
| Central Park | |
| Crosscurrents | |
| Franz Kafka (1883-1924) | |
| The Metamorphosis | |
| Parables | |
| The Trees | |
| The Next Village | |
| The Cares of a Family Man | |
| Give it Up! | |
| On Parables | |
| Translations: Kafka | |
| Anna Akhmatova (1889-1966) | |
| The Muse | |
| I am not with those | |
| Boris Pasternak | |
| Why is this century worse | |
| Requiem | |
| Resonance | |
| Osip Mandelstam (1891-1938) | |
| To A.A.A. (Akhmatova) | |
| William Butler Yeats (1865-1939) | |
| The Lake Isle of Innisfree | |
| Who Goes with Fergus? | |
| No Second Troy | |
| The Wild Swans at Coole | |
| Easter 1916 | |
| Resonance | |
| Proclamation of the Irish Republic | |
| The Second Coming | |
| Sailing to Byzantium | |
| Byzantium | |
| Under Ben Bulben | |
| Perspectives: Poetry About Poetry | |
| Ezra Pound (1885-1972) | |
| A Pact | |
| Eugenio Montale (1896-1981) | |
| Rhymes | |
| Poetry | |
| Fernando Pessoa (1888-1935) | |
| This | |
| Today I read nearly two pages | |
| The ancients used to invoke | |
| Translations:Pessoa's Autopsychography | |
| Pablo Neruda (1904-1973) | |
| Tonight I can write the saddest lines | |
| Ars Poetica | |
| Wallace Stevens (1879-1955) | |
| Anecdote of the Jar Of Modern Poetry Of Mere Being | |
| Nazim Hikmet (1902-1963) | |
| Regarding Art | |
| Bei Dao (b 1949) | |
| He Opens Wide a Third Eye | |
| Old Snow | |
| Daniel David Moses (b 1952) | |
| The Line | |
| Crosscurrents | |
| Bertolt Brecht | |
| Mother Courage And Her Children | |
| Perspectives: Echoes of War | |
| Yosano Akiko (1878-1942) | |
| I Beg You, Brother: Do Not Die | |
| Rupert Brooke (1887-1915) | |
| Peace | |
| The Soldier | |
| Wilfred Owen (1893-1918) | |
| Anthem for Doomed Youth | |
| Strange Meeting | |
| Dulce et Decorum Est | |
| Yukio Mishima (1925-1970) | |
| Patriotism | |
| Primo Levi (1919-1987) | |
| The Two Flags | |
| Paul Celan (1920-1970) | |
| Death Fugue | |
| Zbigniew Herbert (1924-1998) | |
| Report from the Besieged City | |
| Alejo Carpentier (1904-1980) | |
| Like the Night | |
| Nazim Hikmet (1902-1963) | |
| Giaconda and Si-Ya-U | |
| Ingeborg Bachmann (1926-1973) | |
| Youth in an Austrian Town | |
| Yehuda Amichai (1924-2000) | |
| Seven Laments for the War-Dead | |
| Little Ruth | |
| Crosscurrents | |
| Samuel Beckett (1906-1989) | |
| Endgame | |
| Perspectives: Cosmopolitan Exiles | |
| César Vallejo (1892-1938) | |
| Agape | |
| Our Daily Bread | |
| Good Sense | |
| Black stone on a white stone | |
| Vladimir Nabokov (1899-1977) | |
| An Evening of Russian Poetry | |
| Czeslaw Milosz (b 1911) | |
| Child of Europe | |
| Encounter | |
| Dedication | |
| Fear-Dream | |
| V.S. Naipaul (b 1972) | |
| from Prologue to an Autobiography | |
| Adonis | |
| A Mirror to Khalida | |
| Crosscurrents | |
| Jorge Luis Borges (1899-1986) | |
| The Garden of Forking Paths | |
| The Library of Babel | |
| Borges and I | |
| Cult of the Phoenix | |
| The Web | |
| Resonance | |
| Gabriel García Marquez: I Sell My Dreams | |
| NAGIB MAHFOUZ (b 1911) | |
| Zaabalawi | |
| Arabian Nights and Days | |
| Shahriyar | |
| Shahrzad | |
| The Sheikh | |
| The Cafe of the Emirs | |
| Sanaan al-Gamali | |
| Perspectives: The 1001 Nights in the Twentieth Century | |
| Güneli Gün (b 1944) | |
| from On the Road to Baghdad | |
| John Barth (b 1930) | |
| Dunyazadiad | |
| Italo Calvino (1923-1985) | |
| fromInvisible Cities | |
| Assia Djebar (b 1936) | |
| from A Sister to Sheherazade | |
| Crosscurrents | |
| Lélpold Sédar Senghor (1906-2001) | |
| Letter to a Poet | |
| Nocturne (She Flies She Flies) | |
| Black Woman | |
| To New York | |
| Correspondence | |
| AIMé | |
| CéSAIRE (b 1913) | |
| Notebook of a Return to a Native Land | |
| Gerald Vizenor (b 1934) | |
| Ice Tricksters | |
| Shadows | |
| Perspectives: Indigenous Cultures in the Twentieth Century | |
| Oodgeroo of the Tribe Noonuccal (1920-1993) | |
| We Are Going | |
| Archie Weller (b 1957) | |
| Going Home | |
| Paula Gunn Allen (b 1939) | |
| Pocahontas to Her English Husband, John Rolfe | |
| Taking a Visitor to See the Ruins | |
| Leslie Marmon Silko (b 1948) | |
| Yellow Woman | |
| N. Scott Momaday (b 1934) | |
| from | |
| The Way to Rainy Mountain | |
| Louise Erdrich (b 1954) | |
| Dear John Wayne | |
| Ibrahim Al-Kuni (b 1948) | |
| The Golden Bird of Misfortune | |
| Crosscurrents | |
| Zhang Ailing (Eileen Chang), (1920-1995) | |
| Stale Mates | |
| Mahasweta Devi (b 1926) | |
| Breast-Giver | |
| Perspectives: Gendered Spaces | |
| Clarice Lispector (1925-1977) | |
| Preciousness | |
| Fatima Mernissi (b 1940) | |
| The Harem Within | |
| Ama Ata Aidoo (b 1942) | |
| No Sweetness Here | |
| Hanan Al-Shaykh (b 1945) | |
| A Season of Madness | |
| Juan Goytisolo (b 1931) | |
| from Makbara | |
| Gabriel García Márquez (b 1928) | |
| Artificial Roses | |
| Jamaica Kincaid (b 1949) | |
| My Mother | |
| Crosscurrents | |
| Chinua Achebe (b 1930) | |
| Things Fall APart | |
| fromThe African Writer and the English Language | |
| Resonances | |
| Ngugi wa Thiong'o:fromThe Language of African Literature | |
| Mbwil a M. Ngal:from | |
| Giambatista Viko or, The Rape of African Discourse | |
| Jeremy Cronin: To learn how to speak | |
| Wole Soyinka (b 1934) | |
| Death and the King's Horseman | |
| Perspectives: Post-Colonial Conditions | |
| Nadine Gordimer (b 1923) | |
| The Defeated | |
| Fadwa Tuqan (b 1917) | |
| In the Aging City | |
| In the Flux | |
| Face Lost in the Wilderness | |
| Mahmoud Darwish (b 1941) | |
| A Poem Which Is Not Green, from My Country | |
| Diary of a Palestinian Wound | |
| Sirhan drinks his coffee in the cafeteria | |
| Birds die in Galilee | |
| Resonance | |
| Agha Shahid Ali: Ghazal | |
| Faiz Ahmed Faiz (1911-1984) | |
| Black Out | |
| No Sign of Blood | |
| Solitary Confinement | |
| Reza Baraheni (b 1935) | |
| The Unrecognized | |
| Answers to an Interrogation | |
| Farough Faroghzad (1935-1967) | |
| A Poem for You | |
| Derek Walcott (b 1930) | |
| A Far Cry from Africa | |
| Volcano | |
| The Fortunate Traveller | |
| Salman Rushdie (b 1947) | |
| Chekov and Zulu | |
| Crosscurrents | |
| Perspectives: Literature, Technology, and Media | |
| Mario Vargas Llosa (b 1936) | |
| fromThe Storyteller | |
| Christa Wolf (b 1929) | |
| from | |
| Accident: A Day's News | |
| Abdelrahman Munif (b 1933) | |
| from | |
| Cities of Salt | |
| Murakami Haruki (b 1949) | |
| TV People | |
| William Gibson ( b 1948) | |
| Burning Chrome | |
| Crosscurrents | |
| Bibliography | |
| Credits | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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