Meaning in Motion

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Format: Paperback
Pub. Date: 1997-05-01
Publisher(s): Duke Univ Pr
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Summary

"Excellent! "Meaning in Motion" will make it much easier for scholars concerned primarily with cultural studies to consider the challenges dance poses in 'rethinking the body.'"-- Peggy Phelan, Tisch School of the Arts, New York University

Author Biography

Jane C. Desmond is Associate Professor of Ameerican Studies and Women's Studies at the University of Iowa.

Table of Contents

Acknowledgments
Introductionp. 1
Dance and Cultural Studies
Embodying Difference: Issues in Dance and Cultural Studiesp. 29
Cultural Studies and Dance Historyp. 55
Social Lives, Social Bodies
Reinstating Corporeality: Feminism and Body Politicsp. 81
"The Story Is Told as a History of the Body": Strategies of Mimesis in the Work of Irigaray and Bauschp. 101
Classical Ballet: A Discourse of Differencep. 111
Ballet as Ideology: Giselle, Act 2p. 121
Dancing the Orient for England: Maud Allan's The Vision of Salomep. 133
The Female Dancer and the Male Gaze: Feminist Critiques of Early Modern Dancep. 153
Some Thoughts on Choreographing Historyp. 167
Auto-Body Stories: Blondell Cummings and Autobiography in Dancep. 179
Dance Narratives and Fantasies of Achievementp. 207
Expanding Agendas for Critical Thinking
Dancing Bodiesp. 235
Spectacle and Dancing Bodies That Matter: Or, If It Don't Fit, Don't Force Itp. 259
Sense, Meaning, and Perception in Three Dance Culturesp. 269
Some Notes on Yvonne Rainer, Modernism, Politics, Emotion, Performance, and the Aftermathp. 289
Homogenized Ballerinasp. 305
Dance Ethnography and the Limits of Representationp. 321
Vodou, Nationalism, and Performance: The Staging of Folklore in Mid-Twentieth-Century Haitip. 345
Notes on Contributorsp. 379
Permissionsp. 383
Indexp. 385
Table of Contents provided by Blackwell. All Rights Reserved.

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