
Modern Japanese Theatre and Performance
by Jortner, David; McDonald, Keiko I.; Wetmore, Kevin J., Jr.; Baird, Bruce; Clark, Steven J.; Fukushima, Yoshiko; Gillespie, John K.; Goodman, David G.; Inoue, Megumi; Key, Margaret; Kominz, Laurence R.; Martin, Carol; Poulton, M Cody; Salz, Jonah; Serper,-
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Summary
Table of Contents
Acknowledgments | p. ix |
Introduction: Modern Japanese Theatre (Revisited) | p. xi |
Shingeki History | |
Why Did Sewamono Not Grow into Modern Realist Theatre? | p. 3 |
The Rhetoric of the Real | p. 17 |
Moment(um) of Memory: Metapatterns in Japanese Theatre since the 1960s | p. 33 |
The Quest for Salvation in Japan's Modern History: Four Plays by Akimoto Matsuyo | p. 51 |
Poison Women and National Identity in Postwar Japanese Performance | p. 65 |
Senda Koreya and the Tenko Paradigm | p. 77 |
Experimental Theatre(s) and Border Crossings | |
Structureless in Structure: The Choreographic Tectonics of Hijikata Tatsumi's Buto | p. 93 |
Terayama in Amsterdam and the Internationalization of Experimental Theatre | p. 109 |
Super-kyogen: Radically Traditional Utopian Comedies | p. 123 |
Classical Japanese Performance in a Contemporary Context: A Traditional Strategy of Juxtaposition | p. 149 |
Specific Plays and Productions in Modern Japan | |
Illegitimate Child of Shingeki: Comedy Actor Soganoya Gokuro and His Nonkina tosan (Easygoing Daddy) | p. 171 |
Reflections of and on the Times: Morimoto Kaoru's A Woman's Life | p. 189 |
Steeplechase: Mishima Yukio's Only Original Modern No Play | p. 205 |
"Destroying the Audience's Alibi": Empathy and Ethics in Abe Kobo's Mihitsu no koi | p. 215 |
Divine Memory and Abject Reality: Miyagi Satoshi's Tenshu Monogatari and Shimizu Shinjin's Bye Bye: The New Primitive | p. 225 |
From Scaretto to Kaze to tomo ni sarinu: Musical Adaptations of Gone with the Wind in Japan | p. 237 |
A Super-kyogen Script | |
Mudskippers: Reviving Kyogen's Satire, Castigating Contemporary Authority | p. 253 |
Mutsugoro (Mudskippers) | p. 259 |
Works Cited | p. 271 |
Index | p. 283 |
About the Editors and Contributors | p. 287 |
Table of Contents provided by Ingram. All Rights Reserved. |
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