Music in Western Civilization, Volume B The Baroque and Classical Eras,9780495008682

Music in Western Civilization, Volume B The Baroque and Classical Eras

by ;
ISBN13: 9780495008682
ISBN10: 0495008680
Format: Paperback
Pub. Date: 2005-07-01
Publisher(s): Schirmer
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Summary

Understand music in context with MUSIC IN WESTERN CIVILIZATION, VOLUME B: THE BAROQUE AND CLASSICAL ERAS! Clear and easy-to-understand, this music text provides you with the tools you need to succeed in this course. With a focus on the history of music in the wider context of Western civilization, you will see how study of music history is important to the practice and performance of music today. Numerous full-color photographs, maps, and timelines give you a sense of the place of music within the arts and humanities in the West. Class preparation is made easy with the book-specific website that contains features such as additional musical selections, a music glossary, unit resources, and more.

Table of Contents

Preface xviii
Part IV BAROQUE MUSIC
Early Baroque Music
234(6)
Characteristics of Early Baroque Music
236(3)
Summary
239(1)
Key Terms
240(1)
The Birth of Opera: Florence, Mantua, and Venice
240(11)
Early Opera in Florence
240(4)
Listening Cue Jacopo Peri, Euridice, ``Funeste piagge''
243(1)
Listening Cue Giulio Caccini, Le nuove musiche, Filli, mirando il cielo
244(1)
Early Opera in Mantua: Monteverdi's Orfeo
244(4)
Listening Cue Claudio Monteverdi, Orfeo, Toccata
244(3)
Listening Cue Claudio Monteverdi, Orfeo
247(1)
Recitative, ``A l'amara novella''
247(1)
Arioso, ``Tu se' morta, mia vita''
247(1)
Aria, ``Possente spirto''
247(1)
Early Opera in Venice
248(2)
Listening Cue Claudio Monteverdi, L'incoronazione di Poppea, Duet, ``Pur ti miro''
249(1)
Did Monteverdi Write the Finale? Does It Matter?
250(1)
Summary
250(1)
Key Terms
251(1)
The Concerted Style in Venice and Dresden
251(11)
Giovanni Gabrieli and the Concerted Motet
254(1)
Listening Cue Giovanni Gabrieli, In ecclesus
254(1)
Claudio Monteverdi and the Concerted Madrigal
254(2)
Listening Cue Claudio Monteverdi, Hor che 'l ciel e la terra
256(1)
Barbara Strozzi and the Early Baroque Cantata
256(2)
Listening Cue Barbara Strozzi, L'Amante Segreto: Voglio Morire
258(1)
The Concerted Style Moves North: Heinrich Schutz in Dresden
258(3)
Listening Cue Heinrich Schutz, Symphoniae sacrae; Saul, Saul, was verfolgst du mich?
261(1)
Summary
261(1)
Key Terms
261(1)
Religious Music in Baroque Rome
262(12)
The Cappella Pontificia Sistina and the Stile Antico
263(2)
Mozart Pirates Allegri's Miserere
265(1)
Listening Cue Gregorio Allegri, Miserere mei, Deus
265(1)
St. Peter's Basilica and the Colossal Baroque
265(2)
Listening Cue Unknown, Kyrie of the Missa Salisburgensis
267(1)
Organ Music by Girolamo Frescobaldi
267(2)
Listening Cue Girolamo Frescobaldi, Fiori musicali, Mass for Sundays
269(1)
Toccata
269(1)
Kyrie
269(1)
Ricercar
269(1)
Sacred Opera and Oratorio: Giacomo Carissimi's Jephte
269(3)
Listening Cue Giacomo Carissimi, Jephte
271(1)
``Plorate, colles'' (solo)
271(1)
``Plorate, filii Israel'' (chorus)
271(1)
The Chamber Cantata: A Christmas Cantata by Alessandro Scarlatti
272(1)
Listening Cue Alessandro Scarlatti, Cantata Oh di Betlemme
273(1)
Recitative, ``Oh di Betlemme''
273(1)
Aria, ``Dal bel seno d'una stella''
273(1)
Summary
273(1)
Key Terms
274(1)
Instrumental Music in Italy
274(14)
The Violin Family
274(1)
Formation of the Baroque Orchestra
275(2)
The Violin Then and Now
276(1)
Church and Chamber Music
277(1)
Salomone Rossi and the Early Baroque Sonata
277(2)
Listening Cue Salomone Rossi, Sonata sopra l'aria di Ruggiero
279(1)
Arcangelo Corelli: Solo Sonata and Trio Sonata
279(3)
Listening Cue Arcangelo Corelli, Opus 4, No. 1
282(1)
Preludio
282(1)
Corrente
282(1)
Adagio
282(1)
Allemanda
282(1)
Trumpet Music by Giuseppe Torelli: The Beginnings of the Solo Concerto
282(2)
Listening Cue Giuseppe Torelli, Trumpet Sinfonia in D Major
284(1)
Antonio Vivaldi: Solo Concerto and Concerto Grosso
284(3)
Listening Cue Antonio Vivaldi, Opus 3, L'estro armonico, Concerto Grosso, No. 8, 1st movement
287(1)
Summary
287(1)
Key Terms
288(1)
Instrumental Music in Germany and Austria
288(13)
Johann Froberger and the Baroque Dance Suite
289(2)
Listening Cue Johann Froberger, Suite No. 6 in C Major
291(1)
Lamento (Allemande)
291(1)
Courante
291(1)
Sarabande
291(1)
Gigue
291(1)
Biber and Kuhnau: The Programmatic Sonata
291(5)
Listening Cue Heinrich Biber, ``Mystery'' Sonatas, The Resurrection
293(2)
The Doctrine of Affections
295(1)
Dieterich Buxtehude and the North German Organ Tradition
296(3)
Listening Cue Dieterich Buxtehude, Wie schon leuchtet der Morgenstern
298(1)
Johann Pachelbel and the South German Tradition
299(1)
Listening Cue Johann Pachelbel, Wie schon leuchtet der Morgenstern
299(1)
Listening Cue Johann Pachelbel, Canon in D Major
300(1)
Summary
300(1)
Key Terms
301(1)
Music in Paris and at the Court of Versailles: Vocal Music
301(9)
Ballet de cour
302(1)
Jean-Baptiste Lully and Tragedie lyrique
303(4)
Lully Kills Himself Conducting
306(1)
Listening Cue Jean-Baptiste Lully, Armide
306(1)
Overture
306(1)
``Enfin il est en ma puissance''
306(1)
Religious Music
307(1)
Elizabeth Jacquet de La Guerre and the Cantate Francaise
307(2)
Listening Cue Elizabeth Jacquet de La Guerre, Jephte
309(1)
Aria, ``Jephte revient''
309(1)
Recitative, ``La Fille de Jephte''
309(1)
Summary
309(1)
Key Terms
310(1)
Music in Paris and at the Court of Versailles: Instrumental Music
310(12)
The Gaultiers: French Lute Music
310(3)
Listening Cue Denis Gaultier, La Rhetorique des dieux, Tombeau de Madamoiselle Gaultier
313(1)
The Couperins: French Harpsichord Music
313(5)
The Eighteenth-Century French Harpsichord
317(1)
Listening Cue Francois Couperin, Pieces de clavecin . . . premier livre, La Favorite
317(1)
Listening Cue Francois Couperin, Pieces de clavecin . . . quatrieme livre, L'Arlequine
318(1)
Summary
318(1)
Key Terms
319(1)
Musical Interlude 5 From Ancient to Modern: Aspects of Baroque Music Theory
319(3)
Music in London: Henry Purcell
322(8)
Henry Purcell and Theater Music
323(3)
Listening Cue Henry Purcell, Dido and Aeneas
326(1)
Recitative, ``Thy hand, Belinda''
326(1)
Aria, ``When I am laid in earth''
326(1)
Purcell's Odes and Funeral Music for Queen Mary
326(3)
Art Music Displaced by Folk Music
327(1)
Listening Cue Henry Purcell, Come, ye sons of art
328(1)
Chorus, ``Come, ye sons of art''
328(1)
Duet, ``Sound the trumpet''
328(1)
Chorus, ``Come, ye sons of art''
328(1)
Listening Cue Henry Purcell, Funeral Music for Queen Mary, March and Canzona
329(1)
Summary
329(1)
Key Terms
330(1)
Music in London: George Frideric Handel
330(10)
Handel and the Dance Suite
331(2)
Listening Cue George Frideric Handel, Water Music, Suite No. 1
333(1)
Minuet and Trio
333(1)
Hornpipe
333(1)
Handel and Opera
333(3)
The Castrato in Handel's Operas
334(1)
Listening Cue George Frideric Handel, Giulio Cesare, Aria, ``V'adoro, pupille''
335(1)
Opera Then and Now
336(1)
Handel and Oratorio
336(4)
Listening Cue George Frideric Handel, Messiah
338(1)
Aria, ``He shall feed his flock''
338(1)
Listening Cue George Frideric Handel, Messiah
339(1)
``Hallelujah'' chorus
339(1)
Summary
340(1)
Key Terms
340(1)
Johann Sebastian Bach: Instrumental Music in Weimar and Cothen
340(12)
Bach in Weimar: The Organ Music
342(4)
The Organ in Bach's Day
343(2)
Listening Cue Johann Sebastian Bach, Orgelbuchlein, ``In dulci Jubilo''
345(1)
Listening Cue Johann Sebastian Bach, Orgelbuchlein, ``Durch Adams Fall ist ganz Verderbt''
345(1)
Bach in Cothen: Chamber and Orchestral Music
346(6)
Listening Cue Johann Sebastian Bach, The Well-Tempered Clavier, Prelude and Fugue in C Minor
348(1)
Pitch and Tuning in Bach's Day
349(3)
Listening Cue Johann Sebastian Bach, Brandenburg Concerto No. 5 in D Major, 1st movement
352(1)
Summary
352(1)
Key Terms
352(1)
Johann Sebastian Bach: Vocal Music in Leipzig
352(14)
The Lutheran Chorale Cantata
353(5)
Bach's Choir and Orchestra: Where Were the Ladies?
355(1)
Listening Cue Johann Sebastian Bach, Cantata, Wachet auf, ruft uns die Stimme, Movement 1
356(1)
Movements 2, 3, 4
357(1)
Movements 5, 6, 7
358(1)
Bach's Four-Part Chorale Harmonizations and Teaching Music Theory Today
358(1)
Bach's Later Musical Projects
358(4)
Listening Cue Johann Sebastian Bach, B-Minor Mass, Credo
361(1)
``Crucifixus''
361(1)
``Et resurrexit''
362(1)
Summary
362(1)
Key Terms
363(3)
Part V THE ENLIGHTENMENT AND THE CLASSICAL ERA
Music in the Age of Enlightenment: Opera
366(12)
Music of the Establishment: Enlightenment Opera Seria
367(3)
Listening Cue Johann Adolf Hasse, Cleofide, Aria, ``Digli ch'io son fedele''
369(1)
Music and Social Change: Comic Opera
370(4)
Listening Cue John Gay, The Beggar's Opera, Dialogue and Songs from Act I
371(1)
Listening Cue Giovanni Battista Pergolesi, La serva padrona, Duet, ``Lo conosco and quegl' occhetti''
372(2)
Listening Cue Jean-Jacques Rousseau, Le Devin du village, Duet, ``A jamais Colin''
374(1)
The Reform Operas of Gluck
374(3)
Listening Cue Christoph Willibald Gluck, Orfeo ed Euridice
376(1)
Aria, ``Deh placatevi''
376(1)
Chorus, ``Misero giovane''
376(1)
Obbligato recitative, ``Ahime! Dove trascorsi?''
376(1)
Aria, ``Che faro senza Euridice''
376(1)
Summary
377(1)
Key Terms
377(1)
Music in the Age of Enlightenment: Orchestral Music
378(7)
Public Concerts
378(1)
The Early Symphony: Giovanni Battista Sammartini in Milan
379(3)
Playing in an Eighteenth-Century Orchestra
381(1)
Listening Cue Giovanni Battista Sammartini, Symphony No. 3 in D Major, 1st movement
381(1)
The Rise of Orchestral Discipline: Johann Stamitz in Mannheim
382(2)
Listening Cue Johann Stamitz, La Melodia Germanica, Symphony in E Major, 1st movement
383(1)
How Fast Is Allegro?
384(1)
Summary
384(1)
Key Terms
385(1)
Music in the Age of Enlightenment: Keyboard Music
385(11)
Domestic Keyboard Music for Women
385(2)
The Advent of the Piano
387(1)
Domenico Scarlatti in Madrid
387(2)
Listening Cue Domenico Scarlatti, Essercizi, Sonata No. 26 in A Major
389(1)
The Clavichord in Berlin: Carl Philipp Emanuel Bach
389(3)
The Clavichord
391(1)
Listening Cue C. P. E. Bach, Fantasia in C Minor for Clavichord
392(1)
The Piano in London: Johann Christian Bach
392(3)
The Piano Comes to England
394(1)
Listening Cue J. C. Bach, Piano Sonata in D Major, Opus 5, No. 2, 1st movement
395(1)
Summary
395(1)
Key Terms
395(1)
Classical Music in Vienna
396(9)
Classical Style
396(1)
Classical Forms
397(3)
Should I Repeat?
399(1)
Classical Genres
400(3)
The Classical Orchestra
403(1)
Classical Composers
404(1)
Summary
405(1)
Key Terms
405(1)
Joseph Haydn: Instrumental Music
405(10)
The Life of Joseph Haydn (1732--1809)
406(1)
Haydn's Early and Middle Symphonies
407(3)
Listening Cue Joseph Haydn, Symphony No. 6 in D Major, Le Matin, 1st movement
409(1)
Haydn Goes Hunting
410(1)
Haydn's String Quartets
410(3)
Listening Cue Joseph Haydn, Opus 33, No. 3, The ``Brid'' Quartet, 1st movement
412(1)
Haydn's Sonatas and Concertos
413(2)
Summary
415(1)
Key Terms
415(1)
Joseph Haydn: Late Symphonies and Vocal Music
415(7)
The Paris Symphonies
416(1)
The London Symphonies
417(2)
Listening Cue Joseph Haydn, Symphony No. 94, The ``Surprise,'' 2nd movement
418(1)
Listening Cue Joseph Haydn, Symphony No. 99 in E Major, 1st movement
418(1)
Haydn Wins Over His Orchestra
419(1)
The Late Vocal Music
419(2)
Listening Cue Joseph Haydn, The Creation, ``The Heavens Are Telling''
421(1)
Summary
421(1)
Key Terms
421(1)
Wolfgang Amadeus Mozart: Instrumental Music
422(12)
The Life of Wolfgang Amadeus Mozart (1756--1791)
422(1)
Symphonies
423(5)
Listening Cue Wolfgang Amadeus Mozart, Symphony No. 40 in G Minor, 1st movement
427(1)
Listening Cue Wolfgang Amadeus Mozart, Symphony No. 41 in C Major, The ``Jupiter,'' 4th movement
428(1)
Chamber Music
428(1)
Piano and Violin Sonatas
429(3)
Pianoforte or Fortepiano?
431(1)
Concertos
432(1)
Listening Cue Wolfgang Amadeus Mozart, Piano Concerto in A Major, 1st movement
433(1)
Summary
433(1)
Key Terms
434(1)
Wolfgang Amadeus Mozart: Vocal Music
434(9)
Lorenzo da Ponte: Librettist to Mozart
435(1)
Listening Cue Wolfgang Amadeus Mozart, Le nozze di Figaro
436(1)
Aria, ``Se vuol ballare''
436(1)
Aria, ``Porgi, amor''
436(2)
Aria, ``Voi, che sapete''
438(1)
Ensemble, ``Vostre dunque''
439(1)
Requiem Mass
439(3)
Listening Cue Wolfgang Amadeus Mozart, Requiem Mass
441(1)
``Confutatis''
441(1)
``Lacrimosa''
442(1)
Summary
442(1)
Key Terms
443(1)
The Early Music of Beethoven
443(11)
Years of Apprenticeship: 1770--1792
444(1)
Beethoven's World in 1792
445(1)
Vienna: 1792--1802
446(1)
Piano Music and the ``Pathetique'' Sonata
447(2)
Listening Cue Ludwig van Beethoven, Piano Sonata in C Minor (``Pathetique''), 1st movement
448(1)
Piano Concerto No. 1 in C Major
449(3)
Carl Czerny Meets Beethoven
450(2)
Listening Cue Ludwig van Beethoven, Piano Concerto No. 1 in C Major, 3rd movement
452(1)
The Onset of Deafness
452(1)
Summary
453(1)
Key Terms
453(1)
Beethoven's Middle Period: 1802--1814
454(10)
Beethoven's Life and Music During the Middle Period
454(1)
The Heiligenstadt Testament
455(1)
Beethoven's Symphonies: New Paths
455(4)
Listening Cue Ludwig van Beethoven, Symphony No. 3 (``Eroica''), 2nd movement (Funeral March)
459(1)
The Opera Fidelio
459(3)
Synopsis of Fidelio
460(2)
Affairs of the Heart: The Immortal Beloved
462(2)
Beethoven's Letter to the Immortal Beloved
463(1)
Summary
464(1)
Key Terms
464(1)
After the Congress of Vienna: Beethoven's Late Music
464(9)
Music at the Congress of Vienna
465(1)
Beethoven's Life and Works in His Late Period
465(5)
Listening Cue Ludwig, van Beethoven, String Quartet in B Major, Op. 130 5th movement (Cavatina)
468(1)
Listening Cue Ludwig van Beethoven, Missa Solemnis, Kyrie
469(1)
Beethoven's Death and Funeral
470(1)
Summary
470(1)
Key Terms
471(2)
Notes 473(2)
Bibliography 475(2)
Credits 477(2)
Glossary 479(16)
Index 495

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