Preface |
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xxi | |
The Texts of the Poems |
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Aemilia Lanyer (1569-1645) |
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3 | (18) |
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From Salve Deus Rex Judaeorum (1611) |
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5 | (16) |
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To the Queen's Most Excellent Majesty |
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5 | (4) |
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To All Virtuous Ladies in General |
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9 | (2) |
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From Salve Deus Rex Judaeorum |
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11 | (3) |
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The Description of Cookham |
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14 | (7) |
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21 | (60) |
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23 | (58) |
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23 | (22) |
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23 | (1) |
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Song ["Go and catch a falling star"] |
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23 | (1) |
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24 | (1) |
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25 | (1) |
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26 | (1) |
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26 | (2) |
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28 | (1) |
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29 | (1) |
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29 | (1) |
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30 | (1) |
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A Valediction: Of Weeping |
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31 | (1) |
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32 | (1) |
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33 | (1) |
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A Nocturnal upon St. Lucy's Day, Being the Shortest Day |
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33 | (2) |
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35 | (1) |
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36 | (1) |
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A Valediction: Forbidding Mourning |
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36 | (1) |
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37 | (3) |
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40 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (1) |
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43 | (1) |
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A Lecture upon the Shadow |
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44 | (1) |
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45 | (8) |
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Elegy 6. Nature's Lay Idiot |
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45 | (1) |
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Elegy 8. To His Mistress Going to Bed |
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46 | (1) |
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47 | (2) |
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Elegy 14. Love's Progress |
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49 | (2) |
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51 | (2) |
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53 | (3) |
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Satire 3 ("Kind pity chokes my spleen") |
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53 | (3) |
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56 | (7) |
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56 | (2) |
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58 | (1) |
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To Sir Henry Wotton ["Sir, more than kisses"] |
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59 | (2) |
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To the Countess of Bedford ["Madam, You have refined me"] |
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61 | (2) |
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From An Anatomy of the World: The First Anniversary |
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63 | (6) |
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69 | (14) |
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69 | (1) |
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1 ["As due by many titles I resign"] |
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69 | (1) |
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2 ["Oh my black soul!"] 7o |
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3 ["This is my play's last scene"] |
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70 | (1) |
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4 ["At the round earth's imagined corners"] |
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71 | (1) |
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5 ["If poisonous minerals"] |
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71 | (1) |
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72 | (1) |
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7 ["Spit in my face you Jews"( |
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72 | (1) |
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8 ["Why are we by all creatures waited on?"] |
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73 | (1) |
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9 ["What if this present were the world's last night?"] |
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73 | (1) |
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73 | (1) |
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17 ["Since she whom I loved hath paid her last debt"] |
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74 | (1) |
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18 ["Show me, dear Christ"] |
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74 | (1) |
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75 | (1) |
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Good Friday, 1613. Riding Westward |
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75 | (2) |
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A Hymn to Christ, at the Author's Last Going into Germany |
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77 | (1) |
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Hymn to God My God, in My Sickness |
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78 | (1) |
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79 | (2) |
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81 | (76) |
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From The Works of Benjamin Jonson (1616) |
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83 | (37) |
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83 | (14) |
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83 | (1) |
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83 | (1) |
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83 | (1) |
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IX: To All, To Whom I Write |
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84 | (1) |
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XI: On Something that Walks Somewhere |
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84 | (1) |
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84 | (1) |
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XVIII: To My Mere English Censurer |
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85 | (1) |
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XXII: On My. First Daughter |
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85 | (1) |
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85 | (1) |
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86 | (1) |
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86 | (1) |
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LXXVI: On Lucy, Countess of Bedford |
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86 | (1) |
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LXXIX: To Elizabeth, Countess of Rutland |
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87 | (1) |
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87 | (1) |
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87 | (1) |
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XCIV: To Lucy, Countess of Bedford, with Mr. Donne's Satires |
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88 | (1) |
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88 | (1) |
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CI: Inviting a Friend to Supper |
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89 | (1) |
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CXX: Epitaph on S.P., a Child of O. El. Chapel |
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90 | (1) |
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91 | (1) |
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CXXXIII: On the Famous Voyage |
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91 | (6) |
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97 | (23) |
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I: Why I Write Not of Love |
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97 | (1) |
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97 | (3) |
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100 | (3) |
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IV: To the World: A Farewell for a Gentlewoman, Virtuous and Noble |
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103 | (1) |
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104 | (1) |
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105 | (1) |
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VII: Song: That Women Are but Men's Shadows |
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105 | (1) |
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106 | (1) |
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107 | (1) |
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X: ["And must I sing? What subject shall I choose?"] |
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108 | (1) |
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109 | (3) |
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XII: Epistle to Elizabeth, Countess of Rutland |
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112 | (3) |
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XIII: Epistle to Katharine, Lady Aubigny |
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115 | (3) |
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XIV: Ode to Sir William Sydney, on His Birthday |
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118 | (1) |
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119 | (1) |
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From The Works of Benjamin Jonson (1640-1641) |
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120 | (33) |
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120 | (29) |
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A Hymn on the Nativity of My Savior |
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120 | (1) |
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A Celebration of Charis in Ten Lyric Pieces |
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121 | (1) |
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121 | (1) |
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122 | (1) |
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122 | (1) |
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123 | (1) |
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5. His Discourse with Cupid |
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124 | (1) |
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6. Claiming a Second Kiss by Desert |
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125 | (1) |
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7. Begging Another, on Color of Mending the Former |
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126 | (1) |
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8. Urging Her of a Promise |
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126 | (1) |
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9. Her Man Described by Her Own Dictamen |
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127 | (1) |
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10. Another Lady's Exception Present at the Hearing |
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128 | (1) |
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The Musical Strife, in a Pastoral Dialogue |
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129 | (1) |
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In the Person of Womankind: A Song Apologetic |
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130 | (1) |
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Another, in Defense of Their Inconstancy: A Song |
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130 | (1) |
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131 | (1) |
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132 | (1) |
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My Picture Left in Scotland |
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132 | (1) |
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133 | (1) |
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An Epistle to Master John Selden |
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133 | (3) |
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An Ode to Himself ["Where dost thou careless |
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136 | (1) |
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A Sonnet to the Noble Lady, the Lady Mary Wroth |
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137 | (1) |
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An Epistle Answering to One That Asked to Be Sealed of the Tribe of Ben |
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137 | (2) |
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An Epigram to the Household |
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139 | (1) |
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To the Immortal Memory and Friendship of That Noble Pair, Sir Lucius Cary and Sir H. Morison |
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140 | (4) |
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Epithalamion, or a Song Celebrating the Nuptials of that Noble Gentleman, Mr. Jerome Weston, Son and Heir of the Lord Weston, Lord High Treasurer of England, with the Lady Frances Stuart, Daughter of Esme Duke of Lenox, Deceased, and Sister of the Surviving Duke of the Same Name |
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144 | (5) |
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From Mr. William Shakespeare's Comedies, Histories, and Tragedies (1623) |
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149 | (2) |
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To the Memory of My Beloved, The Author, Mr. William Shakespeare, and What He Hath Left Us |
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149 | (2) |
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From Ben Jonson's Execration Against Vulcan (1640) |
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151 | (2) |
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Ode to Himself ["Come leave the loathed stage"] |
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151 | (2) |
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Songs from the Plays and Masques |
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153 | (4) |
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153 | (2) |
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"Slow, slow, fresh fount" |
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153 | (1) |
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"If I freely may discover" |
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153 | (1) |
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"Swell me a bowl with lusty wine" |
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154 | (1) |
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"Still to be neat, still to be dressed" |
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154 | (1) |
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From The Works (1640-1641) |
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155 | (4) |
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"Though I am young, and cannot tell" |
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155 | (2) |
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Richard Corbett (15 8 2-1 63 5) |
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157 | (10) |
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From Certain Elegant Poems (1647) |
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159 | (3) |
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A Proper New Ballad, Intituled the Fairies' Farewell... |
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159 | (2) |
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An Elegy upon the Death of His Own Father |
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161 | (1) |
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From Poetica Stromata (1648) |
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162 | (5) |
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162 | (1) |
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163 | (4) |
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Lady Mary Wroth (1587?-1651?) |
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167 | (12) |
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From Pamphilia to Amphilanthus (1621) |
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169 | (8) |
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1 ["When night's black mantle could most darkness prowl |
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169 | (1) |
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7 Song ["The spring now come at last"] |
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169 | (1) |
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16 ["Am I thus conquered? Have I lost the powers"] |
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170 | (1) |
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24 ["When last I saw thee, I did not thee see"' |
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171 | (1) |
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25 ["Like to the Indians scorched with the sun"] |
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171 | (1) |
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26 l"When everyone to pleasing pastime hies"] |
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172 | (1) |
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39 ["Take heed mine eyes, how you your looks do cast"] |
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172 | (1) |
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40 ["False hope, which feeds but to destroy and spill"] |
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172 | (1) |
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68 ["My pain, still smothered in my grieved breast"] |
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173 | (1) |
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74 Song ["Love, a child, is ever crying"] |
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173 | (1) |
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77 ["In this strange labyrinth how shall I turn?"] |
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174 | (1) |
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90 ["Except my heart, which you bestowed before"] |
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174 | (1) |
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94 Song ["Lovers learn to speak but truth"] |
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175 | (1) |
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99 ["Like to huge clouds of smoke which well may hide"] |
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176 | (1) |
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103 ["My Muse, now happy, lay thyself to rest"] |
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176 | (1) |
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From The Countess of Montgomery's Urania (1621) |
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177 | (2) |
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Song ["Love, what art thou? A vain thought"] |
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177 | (2) |
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Robert Herrick (1591-1674) |
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179 | (46) |
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181 | (39) |
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181 | (1) |
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When He Would Have His Verses Read |
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181 | (1) |
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182 | (1) |
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182 | (1) |
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Upon the Loss of His Mistresses |
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183 | (1) |
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183 | (1) |
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184 | (1) |
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184 | (1) |
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184 | (1) |
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184 | (1) |
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To the King, Upon His Coming with His Army into the West |
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185 | (1) |
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185 | (1) |
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Dean-bourn, a Rude River in Devon, By Which Sometimes He Lived |
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185 | (1) |
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186 | (1) |
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186 | (1) |
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186 | (1) |
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187 | (1) |
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187 | (1) |
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To Dianeme ["Sweet, be not proud of those two eyes"] |
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188 | (1) |
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189 | (1) |
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189 | (2) |
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191 | (1) |
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191 | (1) |
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192 | (2) |
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To Live Merrily, and to Trust to Good Verses |
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194 | (1) |
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To the Virgins, to Make Much of Time |
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195 | (1) |
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196 | (1) |
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To the Rose. Song '97 The Hock-Cart, or Harvest Home: To the Right Honorable Mildmay, Earl of Westmorland |
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197 | (1) |
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How Roses Came Red ["Roses at first were white"] |
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198 | (1) |
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199 | (1) |
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A Nuptial Song, or Epithalamie, on Sir Clipsby Crew and His Lady |
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199 | (4) |
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203 | (2) |
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205 | (1) |
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205 | (1) |
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Upon Master Ben Jonson: Epigram |
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205 | (1) |
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206 | (1) |
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206 | (1) |
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To Daisies, Not to Shut So Soon |
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206 | (1) |
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To the Right Honorable Mildmay, Earl of Westmorland |
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207 | (1) |
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207 | (1) |
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208 | (1) |
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Art above Nature: To Julia |
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208 | (1) |
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208 | (1) |
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The Bad Season Makes the Poet Sad |
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209 | (1) |
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The Night-Piece, To Julia |
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209 | (1) |
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210 | (1) |
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The Country Life, To the Honored Mr. Endymion Porter, Groom of the Bedchamber to His Majesty |
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210 | (2) |
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212 | (1) |
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212 | (1) |
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His Grange, or Private Wealth |
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213 | (1) |
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214 | (1) |
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214 | (1) |
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214 | (1) |
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Poetry Perpetuates the Poet |
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215 | (1) |
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215 | (1) |
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215 | (1) |
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Upon Love ["Love brought me to a silent grovel |
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215 | (1) |
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216 | (1) |
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216 | (1) |
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Another to Bring in the Witch |
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216 | (1) |
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Another Charm for Stables |
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216 | (1) |
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Ceremonies for Candlemas Eve |
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217 | (1) |
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217 | (1) |
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218 | (1) |
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To the King, Upon His Welcome to Hampton Court |
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218 | (1) |
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219 | (1) |
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219 | (1) |
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219 | (1) |
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"To his hook's end this last line he'd have placed" |
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219 | (1) |
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From His Noble Numbers (1647) |
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220 | (5) |
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His Prayer for Absolution |
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220 | (1) |
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220 | (1) |
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221 | (1) |
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221 | (1) |
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221 | (1) |
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To His Savior, a Child; A Present by a Child |
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221 | (1) |
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222 | (1) |
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222 | (1) |
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Another Grace for a Child |
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223 | (1) |
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223 | (1) |
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The White Island, or Place of the Blest |
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223 | (2) |
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George Herbert (1593-1633) |
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225 | (68) |
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227 | (66) |
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227 | (1) |
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227 | (6) |
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233 | (2) |
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235 | (1) |
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235 | (1) |
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236 | (1) |
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236 | (1) |
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237 | (1) |
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237 | (1) |
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238 | (1) |
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238 | (1) |
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239 | (1) |
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239 | (1) |
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240 | (1) |
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240 | (1) |
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240 | (1) |
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241 | (1) |
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241 | (2) |
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243 | (1) |
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243 | (1) |
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244 | (1) |
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245 | (1) |
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245 | (1) |
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245 | (1) |
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246 | (1) |
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247 | (1) |
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247 | (1) |
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248 | (1) |
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249 | (1) |
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249 | (1) |
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250 | (1) |
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251 | (1) |
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251 | (1) |
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252 | (1) |
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252 | (1) |
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252 | (1) |
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253 | (1) |
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254 | (1) |
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255 | (1) |
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256 | (1) |
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257 | (1) |
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258 | (1) |
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258 | (1) |
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259 | (1) |
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260 | (1) |
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261 | (1) |
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262 | (1) |
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263 | (1) |
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264 | (1) |
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264 | (2) |
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266 | (1) |
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267 | (1) |
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267 | (1) |
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268 | (1) |
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269 | (1) |
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270 | (1) |
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271 | (1) |
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271 | (1) |
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272 | (1) |
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273 | (1) |
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274 | (1) |
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275 | (1) |
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276 | (1) |
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277 | (1) |
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277 | (1) |
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278 | (2) |
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280 | (1) |
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281 | (1) |
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281 | (1) |
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282 | (1) |
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282 | (1) |
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283 | (1) |
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284 | (1) |
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285 | (1) |
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286 | (1) |
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287 | (1) |
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288 | (1) |
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288 | (1) |
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289 | (1) |
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290 | (1) |
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290 | (1) |
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291 | (2) |
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Thomas Carew (1594?-1640) |
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293 | (26) |
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295 | (24) |
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295 | (1) |
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295 | (1) |
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Song: Mediocrity in Love Rejected |
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296 | (1) |
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To My Mistress Sitting by a River's Side: An Eddy |
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296 | (1) |
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Song: To My Inconstant Mistress |
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297 | (1) |
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Song: Persuasions to Enjoy |
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297 | (1) |
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Ingrateful Beauty Threatened |
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298 | (1) |
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298 | (1) |
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To My Mistress in Absence |
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299 | (1) |
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Song: Eternity of' Love Protested |
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300 | (1) |
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300 | (2) |
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302 | (1) |
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302 | (4) |
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Epitaph on the Lady Mary Villiers |
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306 | (1) |
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Another ["The purest soul that e'er was sent"] |
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307 | (1) |
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Another ["This little vault, this narrow room'] |
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307 | (1) |
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To Ben Jonson: Upon Occasion of His Ode of Defiance Annexed to His Play of The New Inn |
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307 | (2) |
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An Elegy upon the Death of Dr. Donne, Dean of Paul's |
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309 | (2) |
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In Answer of an Elegiacal Letter, upon the Death of the King of Sweden, from Aurelian Townshend, Inviting Me to Write on That Subject |
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311 | (3) |
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To a Lady That Desired I Would Love Her |
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314 | (1) |
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To My Friend G. IN., from Wrest |
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315 | (2) |
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A Song ["Ask me no more where Jove bestows"] |
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317 | (2) |
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James Shirley (1596-1666) |
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319 | (8) |
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321 | (6) |
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321 | (1) |
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321 | (1) |
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322 | (1) |
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To the Excellent Pattern of Beauty and Virtue, Lady Elizabeth, Countess of Ormonde |
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323 | (1) |
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To a Lady upon a Looking-Class Sent |
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324 | (1) |
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Two Gentlemen That Broke Their Promise of a Meeting, Made When They Drank Claret |
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324 | (1) |
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325 | (1) |
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From The Contention of Ajax and Ulysses for the Armor of Achilles (1659) |
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326 | (3) |
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326 | (1) |
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327 | (10) |
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329 | (8) |
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329 | (1) |
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|
329 | (2) |
|
A Dedication of My First Son |
|
|
331 | (1) |
|
|
332 | (1) |
|
|
332 | (1) |
|
|
333 | (1) |
|
|
334 | (3) |
|
Thomas Randolph (1605-1635) |
|
|
337 | (12) |
|
From Poems, with The Muses' Looking-Glass and Amyntas (1638) |
|
|
339 | (10) |
|
A Gratulatory to Mr. Ben Jonson for His Adopting of Him To Be His Son |
|
|
339 | (1) |
|
Upon the Loss of His Little Finger |
|
|
340 | (1) |
|
|
341 | (1) |
|
An Ode to Mr. Anthony Stafford to Hasten Him into the Country |
|
|
342 | (2) |
|
On the Death of a Nightingale |
|
|
344 | (1) |
|
|
344 | (2) |
|
Upon Love Fondly Refused for Conscience's Sake |
|
|
346 | (3) |
|
William Habington (1605-1654) |
|
|
349 | (10) |
|
|
351 | (8) |
|
To Roses in the Bosom of Castara |
|
|
351 | (1) |
|
To Castara ["Do not their profane orgies hear"] |
|
|
351 | (1) |
|
|
352 | (1) |
|
To the World. The Perfection of Love |
|
|
353 | (1) |
|
To a Friend, Inviting Him to a Meeting upon Promise |
|
|
354 | (1) |
|
|
355 | (1) |
|
Against Them Who Lay Unchastity to the Sex of Women |
|
|
355 | (1) |
|
To Castara, upon an Embrace |
|
|
356 | (1) |
|
Nox Nocti Indicat Scientiam. David |
|
|
356 | (3) |
|
Edmund Waller (1606-1687) |
|
|
359 | (18) |
|
|
361 | (16) |
|
|
361 | (1) |
|
The Story of Phoebus and Daphne Applied |
|
|
362 | (1) |
|
|
362 | (1) |
|
At Penshurst ["Had Sacharissa lived when mortals made"] |
|
|
363 | (1) |
|
The Battle of the Summer Islands |
|
|
364 | (5) |
|
|
369 | (1) |
|
Song ["Go, lovely rose!"] |
|
|
369 | (1) |
|
On St. James's Park, As Lately Improved by His Majesty |
|
|
370 | (3) |
|
|
373 | (1) |
|
Of the Last Verses in the Book |
|
|
374 | (3) |
|
|
377 | (32) |
|
|
379 | (25) |
|
On the Morning of Christ's Nativity |
|
|
379 | (8) |
|
|
387 | (1) |
|
|
387 | (1) |
|
|
388 | (4) |
|
|
392 | (4) |
|
Sonnet 7 ["How soon hath Time, the subtle thief of youth"] |
|
|
396 | (1) |
|
Sonnet 8 ["Captain or colonel, or knight in arms"] |
|
|
397 | (1) |
|
Sonnet 9 ]"Lady that in the prime of earliest youth"] |
|
|
397 | (1) |
|
|
398 | (6) |
|
|
404 | (5) |
|
Sonnet 12 ["I did but prompt the age to quit their clogs"] |
|
|
404 | (1) |
|
Sonnet 13: To Mr. H. Lawes, on his Airs |
|
|
404 | (1) |
|
Sonnet 16: To the Lord General Cromwell, May 1652 |
|
|
405 | (1) |
|
Sonnet 18: On the Late Massacre in Piedmont |
|
|
406 | (1) |
|
Sonnet 19 ["When I consider how my light is spent"] |
|
|
406 | (1) |
|
Sonnet 20 ["Lawrence of virtuous father virtuous son"] |
|
|
407 | (1) |
|
Sonnet 23 ["Methought I saw my late espousèd saint"] |
|
|
407 | (2) |
|
Sir John Suckling (1609-1641) |
|
|
409 | (20) |
|
From Fragmenta Aurea (1646) |
|
|
411 | (16) |
|
|
411 | (1) |
|
|
412 | (3) |
|
|
415 | (3) |
|
|
415 | (1) |
|
|
416 | (1) |
|
|
417 | (1) |
|
|
418 | (1) |
|
Upon My Lady Carlisle's Walking in Hampton Court Garden |
|
|
419 | (1) |
|
"That none beguiled be by time's quick flowing" |
|
|
420 | (1) |
|
|
421 | (1) |
|
|
421 | (4) |
|
"My dearest rival, lest our love" |
|
|
425 | (1) |
|
Song ["Why so pale and wan, fond lover?"] |
|
|
426 | (1) |
|
From The Last Remains of Sir John Suckling (1659) |
|
|
427 | (2) |
|
"Out upon it! I have loved" |
|
|
427 | (1) |
|
|
427 | (2) |
|
William Cartwright (1611-1643) |
|
|
429 | (6) |
|
From Comedies, Tragi-Comedies, With Other Poems (1651) |
|
|
431 | (4) |
|
To Mr. W.B., at the Birth of His First Child |
|
|
431 | (1) |
|
To Chloe, Who Wished Herself Young Enough for Me |
|
|
432 | (1) |
|
|
433 | (1) |
|
|
433 | (2) |
|
|
435 | (4) |
|
From A Choice Collection of Comic and Serious Scots Poems (1711) |
|
|
437 | (2) |
|
"My dear and only love, 1 pray" |
|
|
437 | (2) |
|
Anne Bradstreet (1612-1672) |
|
|
439 | (12) |
|
From The Tenth Muse Latch Sprung up in America (1650) |
|
|
441 | (10) |
|
|
441 | (1) |
|
A Dialogue between Old England and New... |
|
|
442 | (9) |
|
Richard Crashaw (1612/13-1649) |
|
|
451 | (26) |
|
From Steps to the Temple (1646) |
|
|
453 | (2) |
|
|
453 | (1) |
|
Upon the Ass that Bore Our Savior |
|
|
453 | (1) |
|
|
453 | (1) |
|
On the Wounds of Our Crucified Lord |
|
|
453 | (1) |
|
|
454 | (1) |
|
From Delights of the Muses (1646) |
|
|
455 | (4) |
|
|
455 | (4) |
|
From Carmen Deo Nostro (1652) |
|
|
459 | (18) |
|
In the Holy Nativity of Our Lord God: A Hymn Sung as by the Shepherds |
|
|
459 | (3) |
|
Saint Mary Magdalene or The Weeper |
|
|
462 | (5) |
|
A Hymn to the Name and Honor of the Admirable Saint Teresa |
|
|
467 | (4) |
|
|
471 | (3) |
|
To the Noblest and Best of Ladies, The Countess of Denbigh |
|
|
474 | (3) |
|
Sir John Denham (1615-1669) |
|
|
477 | (12) |
|
From Poems and Translations (1668) |
|
|
479 | (10) |
|
|
479 | (10) |
|
Richard Lovelace (1618-1657/8) |
|
|
489 | (20) |
|
|
491 | (9) |
|
To Lucasta. Going Beyond the Seas. Song. Set by Mr. Henry Lawes |
|
|
491 | (1) |
|
To Lucasta. Going to the Wars. Song. Set by Mr. John Lanière |
|
|
491 | (1) |
|
To Amarantha, That She Would Dishevel Her Hair. Song. Set by Mr. Henry Lawes |
|
|
492 | (1) |
|
Gratiana Dancing and Singing |
|
|
493 | (1) |
|
The Scrutiny. Song. Set by Mr. Thomas Charles |
|
|
493 | (1) |
|
The Grasshopper. Ode. To My Noble Friend, Mr. Charles Cotton |
|
|
494 | (1) |
|
The Vintage to the Dungeon. A Song. Set by Mr. William Lawes |
|
|
495 | (1) |
|
To Lucasta. From Prison. An Epode |
|
|
496 | (1) |
|
To Althea. From Prison. Song. Set by Dr. John Wilson |
|
|
497 | (1) |
|
|
498 | (1) |
|
|
499 | (1) |
|
From Lucasta. Posthume Poems (1659) |
|
|
500 | (9) |
|
|
500 | (1) |
|
|
501 | (2) |
|
Love Made in the First Age. To Chloris |
|
|
503 | (1) |
|
|
504 | (1) |
|
|
505 | (1) |
|
Advice to My Best Brother, Colonel Francis Lovelace |
|
|
506 | (3) |
|
Abraham Cowley (1618-1667) |
|
|
509 | (22) |
|
From The Works of Mr. Abraham Cowley (1668) |
|
|
511 | (10) |
|
|
511 | (8) |
|
|
511 | (1) |
|
|
512 | (2) |
|
On the Death of Mr. William Hervey |
|
|
514 | (4) |
|
On the Death of Mr. Crashaw |
|
|
518 | (1) |
|
From Anacreontics; Or, Some Copies of Verses Translated Periphrastically out of Anacreon |
|
|
519 | (2) |
|
|
519 | (1) |
|
|
520 | (1) |
|
|
520 | (1) |
|
|
521 | (3) |
|
|
521 | (1) |
|
|
522 | (1) |
|
|
523 | (1) |
|
|
524 | (3) |
|
|
524 | (3) |
|
From Verses Written on Several Occasions |
|
|
527 | (4) |
|
|
527 | (4) |
|
Andrew Marvell (1621-1678) |
|
|
531 | (52) |
|
From Miscellaneous Poems (1681) |
|
|
533 | (50) |
|
A Dialogue between the Resolved Soul and Created Pleasure |
|
|
533 | (2) |
|
|
535 | (1) |
|
|
536 | (1) |
|
|
537 | (1) |
|
|
538 | (1) |
|
A Dialogue between the Soul and Body |
|
|
539 | (1) |
|
The Nymph Complaining for the Death of Her Fawn |
|
|
540 | (3) |
|
|
543 | (1) |
|
|
544 | (2) |
|
The Picture of Little T.C. in a Prospect of Flowers |
|
|
546 | (1) |
|
The Mower against Gardens |
|
|
547 | (1) |
|
|
548 | (2) |
|
The Mower to the Glowworms |
|
|
550 | (1) |
|
|
551 | (1) |
|
|
552 | (1) |
|
|
553 | (3) |
|
An Horatian Ode upon Cromwell's Return from Ireland |
|
|
556 | (3) |
|
|
559 | (24) |
|
Henry Vaughan (1621?-1695) |
|
|
583 | (30) |
|
|
585 | (2) |
|
To My Ingenuous Friend, R.W. |
|
|
585 | (1) |
|
To Amoret, of the Difference 'twixt Him and Other Lovers, and What True Love Is |
|
|
586 | (1) |
|
From Silex Scintillans, Part I (1650) |
|
|
587 | (17) |
|
|
587 | (3) |
|
|
590 | (2) |
|
|
592 | (1) |
|
|
593 | (1) |
|
|
594 | (1) |
|
|
594 | (1) |
|
|
595 | (1) |
|
|
596 | (1) |
|
|
597 | (1) |
|
["And do they so? Have they a sense"] |
|
|
597 | (1) |
|
|
598 | (1) |
|
|
599 | (3) |
|
|
|
["I walked the other day..."] |
|
|
602 | (2) |
|
From Silex Scintillans, Part II (1655) |
|
|
604 | (9) |
|
["They are all gone into the world of light!"] |
|
|
604 | (1) |
|
|
605 | (1) |
|
|
606 | (1) |
|
|
607 | (2) |
|
|
609 | (1) |
|
|
609 | (2) |
|
|
611 | (1) |
|
|
612 | (1) |
|
Margaret Cavendish (1623-1673) |
|
|
613 | (14) |
|
From Poems and Fancies (1664) |
|
|
615 | (12) |
|
The Poetress's Hasty Resolution |
|
|
615 | (1) |
|
|
615 | (1) |
|
An Apology for Writing So Much upon This Book |
|
|
616 | (1) |
|
|
616 | (1) |
|
What Atoms Make a Palsy, or Apoplexy |
|
|
617 | (1) |
|
In All Other Diseases Atoms Are Mixed, Taking Parts and Factions |
|
|
617 | (1) |
|
All Things Are Governed by Atoms |
|
|
617 | (1) |
|
|
617 | (1) |
|
Atoms and Motion Fall Out |
|
|
618 | (1) |
|
An Agreement of Some Kind of Motion with Some Kind of Atoms |
|
|
618 | (1) |
|
Motion Directs while Atoms Dance |
|
|
618 | (1) |
|
If Infinite Worlds, There Must Be Infinite Centers |
|
|
618 | (1) |
|
|
619 | (1) |
|
Of the Motion of the Blood |
|
|
619 | (1) |
|
Of Many Worlds in This World |
|
|
620 | (1) |
|
|
620 | (3) |
|
A Description of an Island |
|
|
623 | (1) |
|
|
624 | (2) |
|
Upon the Funeral of My Dear Brother, Killed in These Unhappy Wars |
|
|
626 | (1) |
|
Thomas Stanley (1625-1678) |
|
|
627 | (8) |
|
|
629 | (4) |
|
|
629 | (1) |
|
|
629 | (2) |
|
|
631 | (1) |
|
|
631 | (1) |
|
|
632 | (1) |
|
|
632 | (1) |
|
From Poems and Translations (1647) |
|
|
633 | (2) |
|
|
633 | (2) |
|
|
635 | (18) |
|
From Three Poems upon the Death of His Highness Oliver Lord Protector (1659) |
|
|
637 | (6) |
|
|
637 | (6) |
|
|
643 | (7) |
|
From Chorea Gigantism (1663) |
|
|
650 | (3) |
|
To My Honored Friend, Dr. Charleton |
|
|
650 | (3) |
|
Katherine Philips (1631-1664) |
|
|
653 | (16) |
|
|
655 | (14) |
|
Upon the Double Murder of king, Charles I... |
|
|
655 | (1) |
|
Arion on a Dolphin, To His Majesty at His Passage into England |
|
|
656 | (1) |
|
On the Third of September, 1651 |
|
|
657 | (1) |
|
Friendship's Mystery, To My Dearest Lucasia |
|
|
658 | (2) |
|
A Retired Friendship, To Ardelia |
|
|
660 | (1) |
|
To the Excellent Mrs. Anne Owen... |
|
|
661 | (1) |
|
To My Excellent Lucasia, on Our Friendship |
|
|
662 | (1) |
|
|
662 | (2) |
|
|
664 | (3) |
|
Epitaph. On Her Son H.P. at St. Sith's Church |
|
|
667 | (1) |
|
|
667 | (1) |
|
An Answer to Another Persuading a Lady to Marriage |
|
|
668 | (1) |
|
Thomas Traherne (163 7-1 674) |
|
|
669 | (21) |
|
|
671 | (9) |
|
|
671 | (1) |
|
|
672 | (2) |
|
|
674 | (1) |
|
|
675 | (1) |
|
|
676 | (3) |
|
|
679 | (1) |
|
|
680 | (2) |
|
|
680 | (2) |
|
From the Burney Manuscript |
|
|
682 | (39) |
|
|
682 | (1) |
|
|
682 | (2) |
|
|
684 | (6) |
Textual Notes |
|
|
|
690 | (1) |
|
|
690 | (2) |
|
|
692 | (3) |
|
|
695 | (1) |
|
|
696 | (1) |
|
|
696 | (1) |
|
|
697 | (5) |
|
|
702 | (1) |
|
|
703 | (2) |
|
|
705 | (1) |
|
|
705 | (1) |
|
|
706 | (1) |
|
|
706 | (1) |
|
|
707 | (1) |
|
|
707 | (1) |
|
|
708 | (1) |
|
|
708 | (1) |
|
|
708 | (1) |
|
|
709 | (1) |
|
|
710 | (2) |
|
|
712 | (1) |
|
|
713 | (1) |
|
|
713 | (2) |
|
|
715 | (1) |
|
Margaret Cavendish, Duchess of Newcastle |
|
|
715 | (1) |
|
|
716 | (1) |
|
|
716 | (1) |
|
|
717 | (1) |
|
|
717 | (4) |
Criticism |
|
|
SEVENTEENTH- AND EIGHTEENTH-CENTURY CRITICISM |
|
|
721 | (28) |
|
|
|
From Timber, or Discoveries |
|
|
721 | (9) |
|
|
721 | (4) |
|
[Knowledge and Ignorance] |
|
|
725 | (1) |
|
|
725 | (2) |
|
|
727 | (3) |
|
|
|
From Conversations with William Drummond of Hawthornden |
|
|
730 | (3) |
|
Edward Hyde, Earl of Clarendon |
|
|
|
From The Life of Edward, Earl of Clarendon |
|
|
733 | (1) |
|
|
734 | (2) |
|
[Observations on Jonson's Art] |
|
|
734 | (1) |
|
[Donne "Affects the Metaphysics"] |
|
|
735 | (1) |
|
|
|
From Lives of the English Poets |
|
|
736 | (13) |
|
|
736 | (2) |
|
|
738 | (1) |
|
|
739 | (5) |
|
|
744 | |
|
|
|
|
|
The Physiology and Psychology of the Renaissance |
|
|
749 | (15) |
|
|
|
|
764 | (7) |
|
|
|
|
771 | (24) |
|
|
|
Women among the Metaphysicals: A Case, Mostly, of Being Donne For |
|
|
795 | (10) |
|
|
|
[The Cavalier Ideal of the Good Life] |
|
|
805 | (12) |
|
|
|
Pastoral and Counter-Pastoral |
|
|
817 | (6) |
|
|
|
Writing in Service: Sexual Politics and Class Position in the Poetry of Aemilia Lanyer and Ben Jonson |
|
|
823 | (15) |
|
|
|
Beyond Frustration: Petrarchan Laurels in the Seventeenth Century |
|
|
838 | (13) |
|
|
|
Kiss Fancies in Robert Herrick |
|
|
851 | (11) |
|
|
|
Caught in the Web of Dreams: The Dead |
|
|
862 | (13) |
|
|
|
|
875 | (1) |
|
|
|
[Anglican George Herbert] |
|
|
875 | (3) |
|
|
|
|
878 | (12) |
|
|
|
"That Spectacle of Too Much Weight": The Poetics of Sacrifice in Donne, Herbert, and Milton |
|
|
890 | (17) |
|
|
|
|
907 | (11) |
|
|
|
|
918 | (3) |
|
|
|
|
921 | (10) |
|
|
|
Children of Light: Vaughan and Traherne |
|
|
931 | (24) |
|
|
|
Transformations of Friendship in the Work of Katherine Philips |
|
|
955 | (16) |
Select Bibliography |
|
971 | (10) |
Index |
|
981 | |