| Lenders to the Exhibition |
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viii | |
| Directors' Preface |
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x | |
| Acknowledgments |
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xii | |
| Foreword |
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xiv | |
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| Introduction |
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2 | (20) |
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Rebirth: The Catalan Renaixenca |
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22 | (5) |
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Greeting the Dawn: The Impact of the Renaixenca in Periodicals and Architecture |
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27 | (7) |
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Modernisme: Painting, Sculpture, Graphic Arts |
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34 | (8) |
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Casas and Rusinol: The Allure of Montmartre |
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42 | (12) |
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The Second Generation of Modernista Painters |
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54 | (7) |
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Modernista Illustrated Magazines |
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61 | (8) |
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69 | (3) |
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Francesc M. Quilez i Corella |
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72 | (8) |
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Modernisme: The Quatre Gats |
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Quatre Gats and the Origins of Picasso's Career |
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80 | (13) |
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Graphic Art of the Quatre Gats |
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93 | (3) |
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Francesc M. Quilez i Corella |
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Picasso's Fellows at the Tavern: Beyond Modernisme? |
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96 | (10) |
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Modernisme: Art and Society |
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Art and Anarchism in the City of Bombs |
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106 | (8) |
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Bourgeois Life and the Representation of Women |
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114 | (6) |
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Casas and the Chronicle of Social Life |
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120 | (5) |
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Nonell and Mani: Two Artists Against the Current |
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125 | (10) |
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Francesc M. Quilez i Corella |
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135 | (9) |
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Modernisme: Architecture and Design |
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Architecture and Design of the Modernista Era |
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144 | (8) |
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Puig i Cadafalch, a Versatile Architect |
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152 | (6) |
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Domenech i Montaner and Architectural Synthesis |
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158 | (7) |
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The Decorative Arts of the Modernista Era: European Art Nouveau Plus the Local Tradition |
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165 | (6) |
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Fabrics and Fashion at the Turn of the Century |
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171 | (7) |
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Homar and Busquets: Modernista Furniture Makers and Ensembliers |
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178 | (7) |
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Gaudi: The Art of Architecture |
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185 | (10) |
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Casa Mila, a Legendary Monument |
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195 | (7) |
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202 | (9) |
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211 | (15) |
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Noucentisme and the Classical Revival |
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Catalan Noucentisme, the Mediterranean, and Tradition |
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226 | (7) |
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The Almanach dels Noucentistes, a Hybrid Manifesto |
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233 | (3) |
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Picasso in Gosol: Savoring the Secrets of the Mysterious Land |
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236 | (13) |
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The Forms of Paradise: Noucentista Painting and Sculpture |
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249 | (11) |
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Noucentisme and the Revival of Classicism |
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260 | (6) |
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The Mediterranean Roots of Noucentista Sculpture |
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266 | (7) |
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Noucentista Graphic Arts and Journals |
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273 | (5) |
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Francesc M. Quilez i Corella |
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Textiles and Fashion in the 1910s |
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278 | (3) |
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Noucentisme between Architecture and the Art of the Object |
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281 | (13) |
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Noucentisme and the Influence of French Art Deco |
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294 | (10) |
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The Age of the Avant-Garde |
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Avant-Gardes for a New Century |
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304 | (15) |
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Gleizes and Picabia at Galeries Dalmau: Too Green for Our Teeth |
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319 | (9) |
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The Avant-Garde Visual Poetry of Junoy and Salvat-Papasseit |
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328 | (5) |
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Art-Evolucio and Vibracionismo: Torres-Garcia, Barradas, and the Exaltation of the City |
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333 | (6) |
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Art and Anti-Art: Miro, Dali, and the Catalan Avant-Garde |
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339 | (9) |
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348 | (6) |
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Between Amateur and Avant-Garde: The Professional Photographer in Barcelona during the 1930s |
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354 | (7) |
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Against Logic: The Exposicio Logicofobista in Catalonia |
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361 | (8) |
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369 | (6) |
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Two Sculptors Forged in Barcelona: Gargallo and Gonzalez |
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375 | (9) |
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Avant-Gardes: The Rational City |
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Revivalism to Rationalism in Architecture and Planning |
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384 | (6) |
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390 | (10) |
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GATCPAC (1930--36): Social Architecture and the Functional City for a New Society |
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400 | (10) |
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Rational or Organic: Barcelona Furniture of the 1930s |
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410 | (4) |
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Avant-Gardes and Civil War |
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Barcelona in the Maelstrom |
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414 | (12) |
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Painting in the Shadow of Death: Dali, Miro, and the Spanish Civil War |
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426 | (5) |
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431 | (4) |
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435 | (1) |
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Catalans! Catalonia! Catalan Nationalism and Spanish Civil War Propaganda Posters |
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436 | (14) |
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From War to Magic: The Spanish Pavilion, Paris 1937 |
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450 | (8) |
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Picasso's Dream and Lie of Franco |
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458 | (3) |
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Picasso: Guernica and His Reaction to the Civil War |
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461 | (7) |
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Gonzalez: Montserrat and the Symbolism of the Civil War |
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468 | (6) |
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474 | (8) |
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| Biographies and Checklist |
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482 | (26) |
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| Bibliography and Research Resources |
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508 | (8) |
| Comparative Illustrations |
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516 | (5) |
| Editorial Note |
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521 | (1) |
| Contributors |
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522 | (1) |
| Copyright and Publications Information |
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523 | |