Preface |
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xi | |
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PART I: The Theoretical and Practical Foundations of Theater |
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1 | (102) |
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Stories, Rituals, and Theater: A Foundation for the Theatrical Arts |
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3 | (30) |
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3 | (1) |
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3 | (1) |
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The Barong or Trance Dance of Bali |
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4 | (2) |
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Forum: ``The Theatre As It Was and As It Is'' |
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5 | (1) |
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6 | (1) |
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6 | (5) |
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An Autumnal Ritual in America |
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8 | (1) |
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Forum: ``Acting in Everyday Life and Everyday Life in Acting'' |
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9 | (2) |
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11 | (1) |
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Common Ground for Uncommon Cultures |
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11 | (5) |
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Center Stage: The Abydos Passion Play |
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12 | (4) |
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16 | (1) |
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17 | (16) |
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33 | (34) |
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33 | (1) |
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34 | (2) |
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Forum: ``From The Poetics'' |
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35 | (1) |
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36 | (10) |
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Forum: ``General Considerations of Theatrical Entertainment in China'' |
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37 | (9) |
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The Principal Genres of Drama |
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46 | (15) |
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Spotlight: Melodrama and Farce |
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54 | (2) |
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Forum: ``From `The Mythos of Spring: Comedy''' |
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56 | (5) |
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61 | (6) |
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From the Page to the Stage: Theater Artists at Work |
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67 | (36) |
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67 | (1) |
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67 | (5) |
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Forum: ``When Acting Is An Art'' |
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70 | (2) |
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72 | (8) |
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Forum: ``Some Thoughts on Playwriting'' |
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75 | (5) |
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80 | (9) |
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Forum: ``Julie Taymor on Directing the Lion King'' |
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82 | (7) |
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89 | (11) |
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Forum: ``Designing a Play: Death of a Salesman'' |
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96 | (4) |
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100 | (3) |
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PART II: An Anthology of the World's Drama |
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103 | (1656) |
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The Theater of Greece and Rome |
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105 | (146) |
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106 | (2) |
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The Origins of the Theater in Greece |
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108 | (2) |
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Spotlight: The Hellenistic Theater |
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110 | (1) |
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110 | (1) |
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111 | (4) |
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Spotlight: The Conventions of Greek Theater |
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112 | (3) |
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115 | (17) |
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132 | (30) |
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Spotlight: The Curse on the House of Thebes |
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133 | (24) |
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Center Stage: The First Performance of Oedipus the King |
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157 | (2) |
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Center Stage: Oedipus the King at the Teatro Olympico, 1585 |
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159 | (1) |
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Forums: ``Ode to Oedipus'' |
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160 | (1) |
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``Guthrie Directs `Ritual' Performance of Oedipus Rex at Edinburgh Fete'' |
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161 | (1) |
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162 | (25) |
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187 | (27) |
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Spotlight: Greek Old Comedy |
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213 | (1) |
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214 | (2) |
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The Development of Roman Theater |
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216 | (1) |
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Playwrights and Popular Entertainments |
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216 | (1) |
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217 | (1) |
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218 | (1) |
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219 | (32) |
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Forum: ``The Art of Poetry'' (Ars Poetica) |
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245 | (6) |
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The Theater of India, China, and Japan |
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251 | (156) |
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254 | (2) |
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The Origins of Indian Drama |
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256 | (4) |
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Forum: ``From The Natyasastra'' |
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257 | (3) |
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The Types of Indian Drama |
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260 | (1) |
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The Conventions of Classical Indian Theater |
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260 | (1) |
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Dance and Folk Drama in India |
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261 | (1) |
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The Modern Theater of India |
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262 | (1) |
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The Recognition of Sakuntala |
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263 | (44) |
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307 | (15) |
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Forum: ``The Formal Characteristics of [Indian] Folk Theater'' |
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319 | (3) |
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322 | (2) |
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The History of Chinese Theatre |
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324 | (5) |
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Center Stage: A Night at the Chinese Opera: The Hua-Gu Opera of Hunan |
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327 | (2) |
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The Conventions of Chinese Theater |
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329 | (4) |
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Autumn in the Palace of Han |
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333 | (13) |
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346 | (12) |
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Forum: ``The World of Chinese Drama'' |
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354 | (4) |
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358 | (2) |
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360 | (7) |
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Forum: ``Style and the Flower'' From The Kadensho |
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362 | (4) |
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Forum: ``House and Family'' [Suzuki on the Noh Theater] |
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366 | (1) |
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367 | (5) |
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The Contemporary Japanese Theater: Shingeki |
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372 | (2) |
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374 | (10) |
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Center Stage: The Tanabata Festival of Japan |
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382 | (2) |
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384 | (12) |
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The Man Who Turned into a Stick |
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396 | (11) |
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407 | (348) |
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408 | (2) |
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410 | (1) |
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410 | (1) |
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411 | (4) |
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The Brome Play of Abraham and Isaac |
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415 | (8) |
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423 | (1) |
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423 | (2) |
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425 | (1) |
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425 | (35) |
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460 | (2) |
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462 | (4) |
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Center Stage: Commedia Dell'arte |
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463 | (2) |
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Center Stage: Native American Performance |
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465 | (1) |
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466 | (3) |
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467 | (2) |
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Hierarchies Onstage and Off |
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469 | (1) |
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470 | (1) |
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470 | (1) |
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471 | (1) |
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Playwriting: The Neoclassicists versus the Romantics |
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471 | (5) |
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474 | (2) |
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A Midsummer Night's Dream |
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476 | (47) |
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Spotlight: Making Shakespeare's Language User-Friendly |
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481 | (33) |
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Center Stage: The Midsummer Festivals of Europe |
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514 | (1) |
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Center Stage: A Midsummer Night's Dream at the Globe Theatre |
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515 | (3) |
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Forums [Four Reviews]: ``A Midsummer Night's Dream in 1853'' |
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518 | (1) |
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``A Review of a Midsummer Night's Dream'' |
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519 | (1) |
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``Moonbeams and Menaces'' |
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520 | (1) |
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``Shakespeare as Carnival in Amazonean `Dream''' |
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521 | (2) |
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Hamlet, Prince of Denmark |
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523 | (65) |
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Spotlight: Shakespeare's Two Theaters |
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584 | (2) |
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586 | (2) |
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588 | (32) |
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Pedro Calderon de la Barca |
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Spotlight: The Spanish Theater: The Corrales |
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617 | (1) |
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Center Stage: Theater in Mesoamerica |
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617 | (3) |
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620 | (14) |
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Sor Juana Ines de la Cruz |
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Center Stage: The Yaqui Easter of the Southwest United States |
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629 | (3) |
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632 | (2) |
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634 | (38) |
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Spotlight: The French Theater |
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666 | (1) |
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Center Stage: The (Third) Opening Night of Tartuffe |
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666 | (2) |
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Center Stage: Tartuffe at the Theatre du Soleil, 1995 |
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668 | (2) |
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Spotlight: The Secret Life of a Con Man: Antony Sher on Playing Tartuffe (An Interview By Francesca Simon) |
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670 | (2) |
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The Late-Seventeenth and Eighteenth Centuries |
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672 | (5) |
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Spotlight: The Comedy of Manners |
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674 | (2) |
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Spotlight: The Conventions of the Restoration Theater |
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676 | (1) |
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677 | (2) |
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Forum: ``A Comparison Between Sentimental and Laughing Comedy'' |
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678 | (1) |
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679 | (1) |
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679 | (3) |
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Forum: ``Dedication to the London Merchant'' |
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680 | (2) |
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682 | (42) |
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724 | (31) |
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755 | (494) |
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756 | (2) |
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758 | (1) |
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The Romantic Revolution and Hernani |
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759 | (2) |
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761 | (33) |
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794 | (38) |
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Spotlight: The Minstrel Show |
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828 | (1) |
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Forums: ``A Critique of Uncle Tom's Cabin'' |
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829 | (1) |
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``'The Prologue' From The World's Greatest Hit: Uncle Tom's Cabin'' |
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830 | (2) |
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832 | (2) |
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834 | (1) |
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834 | (2) |
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836 | (1) |
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836 | (5) |
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Forum: ``The Sociology of Modern Drama'' |
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837 | (4) |
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841 | (1) |
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The Fathers of Realism: Ibsen, Strindberg, and Chekhov |
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842 | (1) |
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843 | (1) |
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The Second Generation of Realists |
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844 | (1) |
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Social Drama in Asia and Latin America |
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845 | (6) |
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Forum: ``The Theater of Revolt'' |
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846 | (5) |
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851 | (32) |
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883 | (34) |
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917 | (25) |
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942 | (24) |
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966 | (8) |
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Center Stage: The Dingle Boys of Kerry |
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973 | (1) |
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The Importance of Being Earnest |
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974 | (27) |
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1001 | (55) |
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1056 | (8) |
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1064 | (30) |
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Forum: ``Production Notes'' |
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1092 | (2) |
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Expressionism and the Epic Theater |
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1094 | (2) |
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1096 | (1) |
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1096 | (3) |
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1099 | (22) |
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Spotlight: Theater in the Industrial Age |
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1120 | (1) |
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The Good Woman of Setzuan |
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1121 | (38) |
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Forum: ``Alienation Effects in Chinese Acting'' |
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1155 | (4) |
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1159 | (47) |
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Forum: ``Tragedy and The Common Man'' |
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1200 | (1) |
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Forums [Three Reviews] ``Death of a Salesman: Powerful Tragedy'' |
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1201 | (1) |
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1202 | (2) |
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``Willy Loman Gets China Territory'' |
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1204 | (2) |
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1206 | (5) |
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Spotlight: Waiting for Godot: The Modern Masterpiece |
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1209 | (2) |
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1211 | (23) |
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Forum: ``The Significance of the Absurd'' |
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1228 | (6) |
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1234 | (6) |
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The Man Who Turned into a Dog |
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1240 | (9) |
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Spotlight: Popular Theater in Latin America |
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1246 | (3) |
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The Theater of Africa and the African Diaspora |
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1249 | (204) |
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1250 | (2) |
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The Roots of African Theater |
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1252 | (1) |
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Postcolonial Drama in Africa |
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1253 | (2) |
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The Conventions of African Theater |
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1255 | (1) |
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1256 | (22) |
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Center Stage: South African Township Theater |
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1276 | (2) |
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``Master Harold'' ... and the Boys |
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1278 | (23) |
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Spotlight: South Africa's Market Theatre and the Independent Theater Phenomenon |
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1300 | (1) |
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Death and the King's Horseman |
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1301 | (33) |
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Center Stage: Yoruban Obatala Festival in Ede, Nigeria, West Africa |
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1329 | (2) |
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Forum: ``The Fourth Stage: Through the Mysteries of Ogun to the Origin of Yoruba Tragedy'' |
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1331 | (3) |
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1334 | (4) |
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1338 | (37) |
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``The Last Mama-on-the-Couch Play'' From the Colored Museum |
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1375 | (4) |
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1379 | (9) |
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Forum: ``The Revolutionary Theatre'' |
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1386 | (2) |
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1388 | (32) |
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1420 | (3) |
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1423 | (1) |
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1423 | (1) |
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1424 | (1) |
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1424 | (2) |
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1426 | (27) |
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Center Stage: The Trinidad Carnival |
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1450 | (3) |
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1453 | (306) |
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Influences on Contemporary Thought |
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1453 | (2) |
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Postmodernism and the Theater |
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1455 | (1) |
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Artaud and the Theater of Cruelty |
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1456 | (1) |
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Theater Collectives and Alternative Theater |
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1457 | (2) |
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1459 | (1) |
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Acting in Contemporary Plays |
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1460 | (1) |
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Contemporary Dramatic Criticism: Deconstructionism and Others |
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1461 | (3) |
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The Contemporary Western World |
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1464 | (2) |
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Six Characters in Search of an Author |
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1466 | (26) |
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1492 | (2) |
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1494 | (10) |
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Center Stage: Dia de Los Muertos in Mexico |
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1502 | (2) |
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No Saco Nada de la Escuela |
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1504 | (15) |
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Forum: ``From Theatre of the Oppressed'' |
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1515 | (4) |
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1519 | (28) |
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Forum: ``The Popular Theater: Historic and Idealogical Considerations'' |
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1544 | (3) |
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1547 | (6) |
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Forum: ``From The Theatre of Images'' |
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1550 | (3) |
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1553 | (32) |
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The Dance and the Railroad |
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1585 | (15) |
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1600 | (31) |
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1631 | (24) |
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1655 | (9) |
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1664 | (17) |
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Forum: ``From Acting Out: Feminist Performances'' |
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1678 | (3) |
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1681 | (8) |
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Angels in America, Part One: Millennium Approaches |
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1689 | (36) |
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From Twilight: Los Angeles, 1992 |
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1725 | (34) |
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Forum: ``The Boys Don't Count: Or Why Won't Shakespeare Put His Men in Dresses?'' |
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1754 | (5) |
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APPENDIX A: The Student as Critic |
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1759 | (7) |
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1759 | (2) |
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1761 | (2) |
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1763 | (1) |
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General Questions About a Play and Its Performance |
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1764 | (1) |
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A Sample Outline for a Critical Essay on Ti-Jean and His Brothers |
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1764 | (2) |
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APPENDIX B: Glossary of Terms |
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1766 | (13) |
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1779 | (8) |
Acknowledgments |
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1787 | (4) |
Photo Credits |
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1791 | (2) |
Index |
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1793 | |