| Preface |
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I INTRODUCTION TO SHAKESPEARE AND HIS INTERPRETERS |
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Prologue: Discovering Shakespeare, The World's Playwright |
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1 | (72) |
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7 | (5) |
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7 | (1) |
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8 | (1) |
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8 | (2) |
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10 | (2) |
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Shakespeare: Man of the Theater |
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12 | (12) |
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Shakespeare: Actor, Poet, Playwright |
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12 | (1) |
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Shakespeare and Elizabethan Thought |
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13 | (5) |
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18 | (1) |
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Public vs. Private Playhouses |
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18 | (1) |
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19 | (2) |
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21 | (1) |
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The Second Blackfriars Theater |
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21 | (1) |
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21 | (1) |
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The Lord Chamberlain's-King's Men |
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22 | (2) |
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24 | (10) |
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When and Why Playwriting? |
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24 | (1) |
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25 | (1) |
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25 | (1) |
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26 | (2) |
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Varieties of Verse and Prose |
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28 | (3) |
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Shakespeare and Modern English |
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31 | (3) |
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Shakespeare and His Interpreters |
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34 | (14) |
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The Spectrum of Interpretive Possibilities |
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34 | (1) |
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Elizabethan and Jacobean Interpretations |
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34 | (2) |
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Restoration Interpretations: Shakespeare ``Made Fit''; the Rise of the Actor-Manager |
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36 | (2) |
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The Eighteenth Century: Neoclassical Rules and Tastes |
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38 | (1) |
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The Nineteenth Century: Character Criticism and Spectacle |
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39 | (1) |
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The Early Twentieth Century: ``Presentational'' Staging; the Emergence of the Director |
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40 | (2) |
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The Mid Twentieth Century: Historicism, New Criticism, and Mythological Criticism |
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42 | (1) |
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Post World War II: Marxism and Existentialism---Jan Kott, Bertolt Brecht, and Orson Welles |
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43 | (1) |
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Contemporary Criticism and Interpretation: Deconstruction, New Historicism, and Feminism |
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43 | (3) |
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Adaptations, Spin-offs, and Parodies |
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46 | (1) |
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46 | (1) |
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46 | (1) |
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47 | (1) |
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Shakespeare: From Page to Stage, Screenplay to Screen |
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48 | (25) |
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The Verbal and the Visual |
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48 | (1) |
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49 | (1) |
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49 | (1) |
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Close-Up: Silent Shakespeare |
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50 | (3) |
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53 | (4) |
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57 | (2) |
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59 | (1) |
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60 | (1) |
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61 | (1) |
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62 | (1) |
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63 | (1) |
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64 | (1) |
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65 | (1) |
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66 | (2) |
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68 | (5) |
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73 | (250) |
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77 | (52) |
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Close-Up: Franco Zeffirelli |
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124 | (5) |
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A Midsummer Night's Dream |
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129 | (43) |
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169 | (3) |
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172 | (49) |
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221 | (56) |
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Close-Up: Kenneth Branagh |
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267 | (10) |
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Twelfth Night, or What You Will |
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277 | (46) |
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Shakespeare and the English History Play |
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323 | (174) |
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326 | (64) |
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390 | (53) |
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443 | (54) |
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497 | (320) |
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500 | (64) |
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560 | (4) |
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564 | (75) |
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Close-Up: Laurence Olivier |
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634 | (5) |
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639 | (63) |
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698 | (4) |
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702 | (65) |
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767 | (50) |
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814 | (3) |
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817 | (86) |
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826 | (39) |
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862 | (3) |
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865 | (27) |
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892 | (6) |
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C Timelines and Family Trees of England's Royal Families: 1399--1625 |
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898 | (3) |
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D Glossary of Terms: Film and Criticism |
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901 | (2) |
| Index |
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903 | |